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Despite the many studies on the author and the wealth of data on his academic education, relatively little was known of the high school years of Giorgio Bassani and the decisive encounters during those years. This book, rich in data and discoveries, traces precisely that dark area, identifies in Francesco Viviani the first of the Masters who, well beyond the period spent in the classrooms, would have exerted a profound influence on the future writer. The Greek and Latin texts read in those distant times are among those indicated by Professor Guzzo in Dietro la porta (Behind the Door), confirming the profoundly educational role that classical culture had had for the genesis of the ethical commitment and the search for truth which is the basis of all the Bassanian writing. Catullo, Alceo and especially Orazio will become for Bassani, according to Claudio Cazzola's analysis, examples to be emulated with refined allusive art, suggesting a compositional method that sees in a tireless limae labor the secret and authentic justification for the existence not only of Ferrara novel but also of its author.
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Despite the many studies on the author and the wealth of data on his academic education, relatively little was known of the high school years of Giorgio Bassani and the decisive encounters during those years. This book, rich in data and discoveries, traces precisely that dark area, identifies in Francesco Viviani the first of the Masters who, well beyond the period spent in the classrooms, would have exerted a profound influence on the future writer. The Greek and Latin texts read in those distant times are among those indicated by Professor Guzzo in Dietro la porta (Behind the Door), confirming the profoundly educational role that classical culture had had for the genesis of the ethical commitment and the search for truth which is the basis of all the Bassanian writing. Catullo, Alceo and especially Orazio will become for Bassani, according to Claudio Cazzola's analysis, examples to be emulated with refined allusive art, suggesting a compositional method that sees in a tireless limae labor the secret and authentic justification for the existence not only of Ferrara novel but also of its author.
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Despite the many studies on the author and the wealth of data on his academic education, relatively little was known of the high school years of Giorgio Bassani and the decisive encounters during those years. This book, rich in data and discoveries, traces precisely that dark area, identifies in Francesco Viviani the first of the Masters who, well beyond the period spent in the classrooms, would have exerted a profound influence on the future writer. The Greek and Latin texts read in those distant times are among those indicated by Professor Guzzo in Dietro la porta (Behind the Door), confirming the profoundly educational role that classical culture had had for the genesis of the ethical commitment and the search for truth which is the basis of all the Bassanian writing. Catullo, Alceo and especially Orazio will become for Bassani, according to Claudio Cazzola's analysis, examples to be emulated with refined allusive art, suggesting a compositional method that sees in a tireless limae labor the secret and authentic justification for the existence not only of Ferrara novel but also of its author.
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In recent years, the discipline of Classics has been experiencing a profound transformation affecting not only its methodologies and hermeneutic practices - how classicists read and interpret ancient literature - but also, and more importantly, the objects of classical study themselves. One of the most important factors has been the establishment of reception studies, examining the ways in which classical literature and culture have been appropriated or responded to in later ages and/or non-western cultures. This temporal and cultural expansion beyond the 'traditional' remit of the field has had many salutary effects, but reception studies are not without limitations: of particular consequence is a tendency to focus almost exclusively on the most canonical Greek and Latin texts which is partly due to the sheer scale on which they have been received, adapted, discussed, and alluded to since antiquity. By definition, reception studies are uninterested in texts which have had no 'success', but the result of an implicit adoption of canonicity as an unspoken criterion is the marginalization of other texts which, despite their inherent value, have not experienced so significant a Nachleben. This volume seeks to move beyond the questions of what is central, what is marginal, and why, to explore instead the range and significance of the classical canon and the processes by which it is shaped and changed by its reception in different academic and cultural environments. By examining the academic study of Classics from the interrelated titular perspectives of marginality, canonicity, and passion, it aims to unveil their many subtle implications and reopen a discussion not only about what makes the discipline unique, but also about what direction it might take in the future.
Classical literature --- Classical literature. --- History and criticism.
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"Contemporary classicists often find themselves advocating for the value and relevance of Greco-Roman literature and culture, whether in the classroom, or social media, or newsprint and magazines. In this collection, 12 top scholars apply major critical approaches from other academic fields to open new channels for dialogue between ancient texts and the contemporary world. This volume considers perennial favorites of classical literature--the Iliad and Odyssey, Greek tragedy, Roman comedy, the Argonautica, and Ovid's Metamorphoses--and their influence on popular entertainment from Shakespeare's plays to Hollywood's toga films. It also engages with unusual and intriguing texts across the centuries, including a curious group of epigrams by Artemidorus found on the island sanctuary of Thera, mysterious fragments of two Aeschylean tragedies, and modern-day North African novels. These essays engage an array of theoretical approaches from other fields-narratology, cognitive literary theory, feminist theory, New Historicist approaches to gender and sexuality, and politeness theory--without forsaking more traditional philological methods. A new look at hospitality in the Argonautica shows its roots in the changed historical circumstances of the Hellenistic world. The doubleness of Helen and her phantom in Euripides' Helen is even more complex than previously noted. Particularly illuminating is the recurrent application of reception studies, yielding new takes on the ancient reception of Homer by Apollonius and of Aeschylus by Macrobius, the reception of Plautus by Shakespeare, and more contemporary examples from the worlds of cinema and literature. Students and scholars of classics will find much in these new interpretations and approaches to familiar texts that will expand their intellectual horizons. Specialists in other fields, particularly English, comparative literature, film studies, and gender and sexuality studies, will also find these essays directly relevant to their work.
Classical literature --- Classical literature --- Appreciation. --- History and criticism.
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Art --- Classical literature --- fine arts [discipline] --- thinking
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Biography, Identity and Religion: Federicomaria Muccioli gives a useful brief history of divinisation in biographical writing and discusses Plutarch’s depiction of ruler cult in these terms; Daniel Harris-McCoy deals with accounts of dreams in biographical works and their influence on Artemidorus; Jennifer Rea compares the ways in which women are biographized, the early Christian martyr St. Perpetua, and the twentieth-century Christa McAuliffe, who lost her life in the Challenger disaster; Matthew Ferguson considers eschatological elements in the Alexander Romance, a late-antique highly fictionalized version of the life of Alexander the Great. Greek Lives under Roman rule: Alexei Zadorojnyi identifies the way in which very highly condensed ‘Lives’, for which he uses the term ‘biographical synecdoche’, serve interesting functions within biographical works; Andrew Scott writes about the tensions which arise in Cassius Dio from the fact that he was sometimes a participant in the history he relates; Svetla Slaveva-Griffin is also interested in the relation between biography and real life, and looks in great detail at how this is worked through in the tradition of NeoPlatonic biography.
Biography --- Biography. --- Classical biography --- Classical biography. --- Classical literature --- Classical literature. --- To 500.
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"While Freud put ancient literature to profitable use, many classic scholars have not been so keen on using psychology. Gradually, though, this is changing: current psychological paradigms offer new approaches in the reading of the Classics, and classical ideas can still inspire reflections on therapeutic practice and the relation between body and mind. This book advocates the merits of marrying both disciplines through a wealth of perspectives"--
Classical literature --- Psychology and literature. --- Psychology --- Psychological aspects. --- History.
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From the famous speeches against Catiline to those in defiance of Marc Anthony that would seal the orator's doom, this collection presents remarkable examples of rhetoric from the ancient Roman politician's illustrious career.
Latin literature. --- Roman literature --- Classical literature --- Classical philology --- Latin philology
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